Dream Serial

by Chris Buchanan
Poetry, 2011

If we’d never left Eden, dreams wouldn’t be
what they are: teasing and muzzy little clips
out of David Lynch films, clumsily halting and cut
as sarcastic parental warnings,
elastic metaphorical taunting from a part
of our minds too dumb or too scared to impart
what it wants to, to us.

They’d be serials. Flashy and marvelous
chunks of adventure, no more ethereal visions,
conjecture, departure, just cliffhangered,
thrilling big-budget six-parters, beginning
on Monday and taking a rest for cartoons,
cheering us up, making us laugh until
in the morning we take a cold bath and complain,
‘Aw, dad. Pirates again! I wanted cowboys this week.’

In Case of Dementia

by Chris Buchanan
Poetry, 2011

I’m the old man with dementia who
used to be an author.
I wrote this before all that happened. I was
terrified

that the books I’ve collected might
still be where they are, neglected,
stained with stale coffee by weary sons
too dry-eyed to read.

Carers now urge me to rhyme as
I did, as if I could, and loved ones
suffer,

pushing back their lives, putting up with
mine and their passive aggression
(as they know I would for them if
I could). Wishing I would die as

now they mouth ‘thanks’
to a carer, or a lover with a petrified smile,
trying to help. Let this do
for memories.

Venturous

by Chris Buchanan
Fantasy novella, 2013
You open your eyes and roll into an inn. Before the sun is up you hope to make reality of your dreams. The dragonslayer’s axe shines above. Is that what you wanted?

It begins the way it always begins. You push your shoulder against the hard wooden door of the inn and buckle under its weight. Your cheeks get hot and it makes you angry. You dare not spit.

You push harder until you feel the old iron hinges relent and swing away behind you. There is so much smoke and beer-froth and heat and thick, candle-burnt air that it gets into your eyes and makes them sting. Hoping that nobody inside has seen you, you rub your face against your small knuckles and breathe.

It’s muggy in this room and your head is swimming. You don’t remember how long you have walked. Perhaps you are just weary, or perhaps it’s the overpowering smell of rotten, spirit-soaked wood, but you struggle to remember why you came here.

You remember that a hero is in this place.

You remember that you want to travel.

You remember that you will face great danger, and this makes you smile.

Your arm is still sore. You open your eyes.

This is the first time you have set foot in a tavern. As you glance about, your back still facing the door, you hope that you don’t look as lost as you feel. The patrons who fill-out the hall are large, sweaty and long-haired. There are a lot of braids and knotted beards, and this seems strange to you, because you are from another place. Your hair is smooth and simple.

A woman’s skirt brushes your face and you look up, startled. She seems to notice, and clutches at the thick material as though you were a dog or a mouse getting caught up in her clothes. She shuffles away with a confused look that stays on her face until a young man hands her a tall cup of drink.

Now the innkeeper is looking at you from behind the bar at the back of the room. You have not known many grown-ups so you don’t trust your first impressions of them, but this man looks friendly. He has large blue eyes, a little too close together, and a layer of thin red hairs covering his arms and cheeks the way dust covers shelves. Making your way through the crowds, you decide it would be best to speak to him first.

He never takes his eyes off you as you approach. “Good evenin’… youngster,” he says, then frowns and looks uncomfortable. Maybe he is wondering if you are a boy or a girl. It might be hard to tell, since you are wearing a hood and coat. “I don’t recognise you,” he says, “but I know a tired traveller when I see one. What’s your name?”

You tell him. He nods.

“Are you alone?”

You nod back.

“Well then. We don’t normally have children in the inn, but that’s by the by. Welcome to the Bowman’s Bird.” He looks very upset, this man. He’s thinking about saying something and he’s probably going to say it. You look at him and wait quietly.

Finally he asks, “Where are you parents?” and you tell him that you don’t know. It’s strange, but right now you can’t remember their faces. You have come here without them.

“I see. Well, make yourself comfortable for now. Will you be staying the night?”

You admit that you don’t know that either. For a moment, you can’t think at all. Everything goes fuzzy.

“I’ll get you a drink,” the barman says, turning around. There is a kindness in his voice which seems too genuine for you to doubt him. His bar is neat and tidy, more so than the tables occupied by his customers. “My name’s Alferd,” he says. “I’ve be–”

“I’m looking for the hero who lives here,” you say, interrupting him by mistake.

Alferd turns around to look at you. He seems to relax in that moment, and he dips a small metal cup into a pail of milk. He puts it neatly on the bar in front of you and wipes the side facing away from you.

“You’re looking for Talmir Dragonkiller?” he says.

You smile. That sounds heroic, all right. “When was the last time you saw a dragon?” you ask Alferd.

“I never have, I’m happy to say. No-one has! And that’s all thanks to Talmir.”

You interrupt him again. “Where is Talmir?” You pause. “Please.”

Alferd smiles and pushes the milk toward you. You reach up and grip it and this makes him happy. “Upstairs,” he says, motioning with his eyes and a jerk of his chin. “On the balcony there. He’ll be the gentleman with the axe.”

You sip some of the milk and take it with you as you turn around to follow the man’s eyes. Above the floor of the inn is a long balcony with sturdy doors leading to four bedrooms, but there are a few tables up there too. Some of the townspeople seem to have pushed them all together to make one long table, at the head of which sits a muscular man. His brown beard is split down the middle and knotted in such a complicated way that it looks like it is tied behind his ears. By his side is a solid slab of steel: the cleanest, boldest steel you have ever seen and it shines particularly brightly at the points. A battle-axe. Its silvery light stands out against the browns, reds and blonds of every other object in the room, as though it does not belong. You have to wonder how heavy it is. Probably heavier than you.

Talmir is talking with friends when you reach him and they don’t notice you. Unsure how to get the great man’s attention, you just sip your milk and look at him. The axe is even shinier up close, and his beard is even sillier. You think that trimming and arranging it must take a lot of his time in the mornings.

The big men are excited, talking about a kidnapping that has taken place in town and the villainous bandits who are responsible. The dragon killer is nodding and frowning distantly. It is hard to make-out exactly what has happened, since they are all speaking at once and trying to be heard over one-another, but the word Princess is mentioned at least once. They have worked themselves into a fever, swinging tankards and swapping boasts about how strong they are, or how many heads they will cut off, which ranges from five (from the youngest and thinnest man) to a thousand (the second-youngest and most drunk). Talmir pretends to laugh. Finally he says, “Tomorrow, my friends,” and they calm down. It is obvious that they revere him.

It is now that one of the men bumps into you, and all at once they see you and fall quiet. Five of them stagger backwards, one trips over. You feel their eyes on your face and you wonder what you look like.

“They don’t normally allow children in the Bowman’s…” someone says quietly.

“Speak, child,” says Talmir, but he does not act or sound like a warrior. He is still and bored and unhappy, like a grandfather.

“I have come to see Talmir Dragonkiller,” you say.

“Well done. You’re seeing him now,” says Talmir, and there is laughter. “You aren’t from town. Why are you looking for me?”

It is hard to answer without either seeming stupid or lying. After a moment you just open your mouth and hope that it produces an answer. “I have heard that you are a hero,” you say. No-one laughs.

“Yes.” That’s all he says. The way he forms the word suggests that he has a lot more to say but he has decided not to.

“This man,” says a fellow in a coat of chain mail, slapping his hand on Talmir’s wide shoulder, “is the saviour and protector of the town!”

You nod to show respect.

“He was the last survivor of an expedition to slay the great dragon who threatened the land, ten years ago.”

“Yes,” says Talmir again.

“What say you, boys? Shall we tell the story, aye?”

At this, the men roar and laugh. Out of the corner of your eye you see Talmir whisper something, but only for a second. The man in the mail sits you down and spills a little of your milk.

But before they can begin, Alferd emerges through the crowd behind you and delivers a plate of fresh meat and fruit with a wink. You are grateful and hungry. This seems like a good inn. A good town. It’s nice.

And so you eat while the crowd tell Talmir’s story. Each man recites a verse and you are excited to hear such an epic story told by those people who are closest to the hero himself. His silence, as they speak, makes him seem grand and above you. Not rude, but above you. It is hard not to smile.

“Talmir the Bold was the champion of his village, far to the West,” says an older man with a wispy voice and grey tips to his moustache. A few eyes turn to him. Others still watch you with an assured grin. “His home was like ours: a town that was so far from the Royal Castle that it was only barely under the King’s rule, and very rarely saw anyone from the court. So, like us, his people were simple and fair.”

“And honest, and poor!” says a heavy man. There is loud laughter.

A young member of the group then speaks up and leans on the table. “One day Talmir is out hunting, as the task was often left to him, y’see. And as he spears his last beast of the day he hears the sound of thunder. Of course the thunder doesn’t bother a man like this, so he shrugs it off. But he realises there was no lightning. And then suddenly the thunder sounds again, louder, and again, louder, and the whole sky is suddenly dark as night!”

The tale is gripping you so much that you almost forget about the food you’ve been given. Without looking, you grab some of the meat and shove the whole piece into your mouth, chewing as fast as you can.

“It’s the dragon!” the young man says. “It has arrived from the Heavens in order to destroy us all!”

There is some mumbling around the table, and the greying man mutters, “It was not from the Heavens. Dragons are not from Heaven.”

“Well then it was from a mountain, or the pits of the Earth or a far off continent, or something…” says the other. “Anyway, it was a dragon. Talmir gathered eleven of his most trusted kinsmen, see, and he charged them to follow him into battle. They marched outside the village walls and screamed as one to get the dragon’s attention, then fought it with bow and sword, until it fled. He saved his village!”

“That’s amazing!” you start to say, but you are interrupted by the man in the chain mail.

“Talmir is too much of a hero to let it go, of course!” he says. “So he and his fellowship steeled themselves, packed supplies for a great journey, and set forth to hunt the beast. They follow the trail of flattened trees and burning grassland, and every time they catch up to the filth, it turns to attack them. Every time, they lose a man to its jaws. And every time, they cut a fresh wound through the animal’s scales. In the end, they are exhausted, having battled and withstood the dragon more than any group of warriors ever could, and they lose the rest of their men to wolves and murderers, and a witch. Talmir alone survives, and he slays all these foes by himself even as he keeps up the chase.”

“Finally he…” says a new speaker, a man with a blond beard, but the old man pipes up again.

Finally, he and the dragon met once again, and found that they were both too fatigued to run any longer. The monster flew straight upwards, as high as the Sun itself, and them slammed its body right back down into the ground, hoping to land on Talmir and pulverise him.”

“But of course…” the man in mail is grinning very deeply and you smell his breath. “Talmir leaps out of the way just in time. He falls helplessly down the great crater that has formed in the ground, no-doubt thinking that he’ll die when he reaches the bottom.”

“And what did you do then, Talmir?” you ask

Talmir does not seem to hear the question, but after a moment of anticipation the blond man hammers the table with his fist and cries, “He grabs hold of its neck and slices it in two with his hunting axe!”

There is a cheer so loud that everyone down below looks up to see what the noise is about. A lot of them smile or even join in.

“Alferd the innkeeper found me,” Talmir finally says, quietly, “on his way back from a visit to a merchant caravan. He dressed my wounds and gave me water, and then he carried me down the path of the Red River, to this, his home town.”

The man in the mail coat asks what you think and you tell the truth. You enjoyed it very much. He is pleased and grasps your shoulder. As you finish your fruit and milk, the men slowly begin to calm down. Their conversation moves to small bragging, and then to mutterings about you, and finally to ordinary town chit-chat. Talmir says very little and does not look at you, so you just finish your meal. When you are done, you hurry downstairs with Alferd’s tray.

As you are climbing down you see him talking to a group of customers at a table in the corner. He has a jug of something, with which he fills their mugs, and they seem to share a joke as one of them kicks the thin skirting board at the bottom of the wall and scratches his shin. You decide to wait by the bar and leave the tray on it.

The bartender breaks away and returns to you almost immediately, and takes the tray gladly. You thank him and he smiles. “You must have travelled a long way, little ‘un,” he says. It makes you laugh out loud when he calls you that, and you worry that you have insulted him, but he just smiles back warmly.

“I think I have,” you say.

He doesn’t pry, but sits down on a stool he has behind the bar and looks at you. “We do have a spare room, little ‘un,” he says. “You can stay there as long as you need to.”

You tell him that you don’t have any gold coins, but he calmly tells you that you won’t need any. You thank him again.

“No need for that, either,” he says, and offers you another drink. You shake your head.

“How long have you known Talmir?” you ask.

Alferd pours some milk for himself as he answers. “Since he arrived,” he says. “He stays here. I had three rooms to rent before the dragon killer arrived. Now I have two rooms, and the honour and safety that only a hero’s presence can offer.”

You ask what Talmir is like.

“Like you see,” Alferd says, simply. “He’s grand and he’s quiet. Respectable.”

“Did he really save the land from the dragon?”

“The dragon’s skeleton is still out there to the North, where it cracked the Earth and made its last stand,” he says. The innkeeper’s eyes drop to the bar and he starts wiping at a stain you can’t see.

“He must be brave,” you say.

Alferd’s smile widens and he steps away from the bar, walks out into the middle of the inn. Pointing back up at the balcony, he tells you that your room will be the one right at the end. He says it is small, but then so are you, little’un. And you laugh politely. With a chuckle he wanders off toward a hand, waving at him from another table.

Upstairs you see Talmir shuffle back and forth in his chair. Nobody else seems to be watching him right now so he keeps shuffling for almost a minute. When he is tired of this, he gets up. He slowly wanders over to the window at the end of the balcony and then rests his head against the glass. Without thinking you jump up the stairs and go over to talk to him. There are little bits of bread in that beard of his, and his eyes seem larger now.

“Talmir, what happened next?” you ask.

He looks at you, frowning a little, the way an ordinary person would look at a piece of fruit in a market. “They have… embellished the story a bit,” he mutters. “What happened after that was that I recovered here, and I sat in that chair over there and told my story to the townsfolk. And then they told me I was their hero. A lot.”

“Yes,” you agree.

“And I said nothing, and they gave me food and a ceremonial axe to replace the old, blunted one I used to carry. They do not ask me to work.”

You move a little closer to hear him better, and ask, “When will you return to your village?”

After a long pause he sighs and says, “There are other wolves out there. There are other witches. And dragons, perhaps. My little friend, I cannot go home.” He sounds weary and has begun to slur his words.

“You have eleven new companions!” you tell him, looking at the others.

“Yes, but who’s to say that on the way back, I will be the one who survives, hm?”

You don’t have an answer, so the two of you just stare at each other for a while. Eventually he coughs.

“I have never used this axe,” he says. “I ran a long way, and I survived.”

You nod, but you feel strangely empty. “What about the kidnapped Princess?”

Talmir breathes through his nose and says, “There are knights in the kingdom, child. They can do the job better. And these men here will be sober tomorrow. I will not remind them of their boasting.”

“You’re… you’re not going to fight the bandits?”

Talmir doesn’t move at all and just says, “A hero can be any man, little one. Whichever man is left at the end of a journey. The only one who didn’t make the ultimate sacrifice.”

“Oh,” you reply.

The man who killed the dragon nods and closes his eyes. You slink away, climb down the stairs and pass the empty bar, forgetting all about the room you were offered. Hurrying away from this place you push the inn doors open again. They seem even heavier this time.

** ** Continue reading

Alfred and the Flies

by Chris Buchanan
Short story, 2012
A young volunteer at a suicide hotline listens to an old hand.

There are always two Samaritans working, on four hour shifts. Depending on the time of day and circumstance, the two might spend this time hunched over in the two booths, occasionally looking through glass to nod and smile at each other but otherwise listening intently, or they might be on two comfortable armchairs, eating free biscuits and trying to make conversation.

Today is Wednesday afternoon. There aren’t many calls and neither of us feels like taking them. Stewart took the last one, but it only lasted a few minutes. Every time the phones ring, I wonder if this is a real call. A call where a person is about to violently commit suicide and needs somebody caring and brave to talk it out with them and save their life. But most of the calls are short and not very important.

I hear Stewart replace the old, white plastic receiver now, and waddle back to the armchairs. I finish chewing. “That,” he says, “was a gentleman asking me to tell him my height, as a masturbatory aid.” This is normal. Even I am no longer surprised or even amused by these calls. I just nod.

Stewart has been a Samaritan for a long time, long enough that there is little excitement or drama in it for him any more. His face is always slack, at peace, either satisfied with or indifferent to everything he witnesses, like a man at the end of a good meal. He has a permanent smile on one side of his mouth and slightly harsh blue eyes, as though he has no difficulty with anything he does, leaving at least half of his mental capacity free to reminisce. I hope I’m that way when I’m his age.

The sound of my swallowing the biscuit is loud in this deliberately silent, cozy room. Stewart doesn’t look at me or anything but I feel a little self-conscious, so I get a glass of water.

“Are you making tea?” he says.

“Just water.”

Stewart has gotten into his chair now, and he lets his back fall into it. “Very good,” he says, smiling to himself as if something very amusing has happened but he doesn’t want to share it. “Very good.” After a short silence he picks up one of the celebrity gossip magazines, opens it and gives a slight, almost cartoonish sneer. He gets bored of this and puts it back down.

After a moment he starts laughing and murmuring. He wants me to ask him why.

“What are you thinking about?” I’m friendly. Everyone here is.

He cleans his glasses against his cardigan, straightens the tie beneath and tilts himself towards me.

“Well,” he says, and I sense he’s preparing something. Choosing his words.

“Well. I knew a great man, once. A compassionate and thoughtful man. One who did his best, when it came to people. Alfred, his name.”

I’m drinking my water, but I put it down for a minute. “Oh?” I murmur. It’s always a bit awkward getting to know someone, especially in this room for some reason. We call it The Office. I fold my hands.

Stewart continues. “Alfred’s life brought him to a state where he was capable of viewing every living organism just the same as any other: as an individual. And one worth knowing. If he saw a dog turn its neck, he shared its wonder. When he saw a bird suddenly flapping into the air, he turned to see what was wrong, as if he were afraid. He was kind. I called it a higher plane of thought, but he didn’t like that. Great people always lie about their greatness, don’t they? I just sort-of trusted that he had a good reason for that. Because he didn’t like liars.”

This story sounds rehearsed, I think, but I narrow my eyes, showing that I’m paying attention. He nods once more and carries on.

“One day he was at home and he saw a fly on his window. Its tiny legs, each one as thin as a human hair (you know how small they are) flicking back and forth as its body just stood there on the glass. Like an anchor with… snakes tied to it. It’s perfectly alert, this fly, but it has nowhere to go. The fly has come into Alfred’s house, seen the window and thought ‘Ah! This is the way out!’ Because he can’t see the glass, you see.”

I laugh a little. “Yeah,” I say. “I get it.” And Stewart laughs back, approvingly.

“Alfred saw the fly there. And in his wisdom and intelligence he understood why it couldn’t escape. And of course he could not allow the creature to suffer this way. So he scooped it up with a little tumbler and a paperback and he let it out of the door. Problem solved. The only trouble is that later (this was summer, by the way) there was another fly on the window. Again, he moved it away with his tumbler, which he had to sterilise again, and released it to his garden. But later on, when he got back from his dinner he saw three more flies.

“He chastised himself, of course. How could he have relaxed and eaten when three souls were struggling for their lives, confused out of their tiny minds, in his home? You see, to him, the flies were no less valuable than people. The only difference between them and us, as he saw it, was intelligence. And you don’t let somebody suffer for an hour, trapped and confused in what they perceive as an impossible maze, just because they’re too stupid not to know what glass is. Do you?”

I don’t know if Stewart wants me to agree with him or question him, so I just tilt my head and let him finish his story.

“So Alfred stood around the window for a bit, helping the flies get back to their lives. When he was finished he locked the door, obviously, and he went to my house next door, to see if there were any flies there. And there were, so he asked if he could come in to get rid of them. And this went on, every day, until he disappeared. And he probably spent the rest of his life staring at glass, concentrating with his eyes all screwed up like yours are now, quickly tapping his little cup against the windows, over and over again, and walking over to the door.”

I don’t know what to say. I can’t help feeling like I’m being patronised, but I have no idea how. I begin to hope the phone will ring again. It doesn’t. Stewart keeps looking at me, waiting for my reaction.

“What happened to him?” I ask.

“I don’t know. He disappeared. He’s probably died by now.”

“Oh,” I say. “I’m sorry.”

“I didn’t know him very well. I just thought he was fascinating.”

There is so little to do in this little room, I think. I could nod, which wouldn’t satisfy him. I could look at the phone booths, which would be rude. I could get another glass of water, perhaps? Something occurs to me and he seems to see the recognition on my face. He smiles widely this time.

“Is there a hidden meaning in that story for me?” I ask. “Did Alfred volunteer at the Samaritans?”

Stewart raises his eyebrows for a second and looks for the magazine. After a second he answers. “No. Not at all.”

“Oh. I thought you meant… because of what we do here. Helping people.”

“Did you?” He sounds a little bit annoyed now. “If you go around thinking the people we talk to on the phone are comparable to flies, then you’re in the wrong job, believe you me.”

“I’ll make you a cup of tea.”

Very good. One sugar, no milk.”

I get up and make it. As I return to The Office, I see that Stewart has answered another phone call. From the sound of his replies and his tone, I guess that the conversation might go on for a while. He’s asking serious questions, you know. I leave his tea by his side, to which he mouths a ‘thank you’, and take my seat again.

And immediately there is a familiar sound, one that makes my head dart upwards. A fly’s buzz.

It zig-zags through the open door to our empty little hallway, makes a couple of circles around the room, and then hits the window hard. There is that sudden THOCK sound that I always think is somehow too loud. An animal so small and delicate as a fly can’t make a noise like that. The whole animal is the size of a crumb, made in miniature out of thin, barely-glued-together black wire that crunches if you touch it, like sugar-glass, and those wings look like a good wind could rip them in half. But when this tiny crisp of a creature collides with a window, you get this dull, heavy note.

Something that size, I think, can’t make a THOCK. It sounds like a cricket ball hitting clay.

Our window is thick, wavy and heavy, so that it lets in natural light but keeps our little office secretive. The fly just sits there for a moment, dead still, then crawls about, looking for a way through. I look around for a glass or a dry tea cup, but I don’t get up. The room strikes me again, and I notice how artificial it is, in an odd way. The chairs are very nice, very soft. The place is spotless, not that I’ve ever seen anyone cleaning, and that biscuit tin is always full somehow. But the top half of the room is just old white walls, almost completely covered by notices and letters and lists of rules and important information, and warnings and requests and timetables. They’re messy.

Stewart must have heard the fly’s buzzing and he must have noticed the coincidence. He probably smiled, but he doesn’t turn away from his phone call to smile at you or anything like that. He seems to be engrossed, which is odd for him. Maybe this is a serious call. A real call.

I haven’t had any of those yet.

Caravaggio after the death of Ranuccio Tomassoni

by Chris Buchanan
Poetry, 2010

A reward for the head of the killer!
The head we can’t see in the black
of the scene. The perfectly honest expression
which is not our focus.

Michelangelo Merisi,
of Porto Ecole, formerly of Malta and Naples
and Rome, and Caravaggio,
has black hair lit by the yellow-white fingers
he thrusts his head at.

But that’s all we can see. Black hair,
black suit, crumpled and dirtied
like nails holding rotten fruits.

A dagger and sword, unlicensed
but blessed by a friend of a friend of a patron.
He runs from a tennis court.

‘Humility conquers pride’
says the sword on the still-moving
right leg. The leg is a master’s but it’s black,
never draped in red cloth like his perfectly human
dying virgin.

The most famous painter in Rome, and a good
duellist, flees the sordid scene at night, the streetlamp
bathing the fallen man and the hot spit still on his body.
The spit still on the monster’s lips
is invisible, for now.

A reward for the hero who slays this sinner
and takes him from this dark world into paradise.

God’s Wife

by Chris Buchanan
Poetry, 2010

I was God’s wife. Not the pillar of salt. God’s.
Our Heaven was good, just didn’t last very long.
He spent all his time in His Garden,
didn’t talk to me much after the wedding.
Then He made another woman, brown and beige,
really little, but in my own image,
but little. He waved unknowable fruit at her, teasing.
‘Nooo, you can’t have this one. This one’s for meee.’
I hear He has a train set now
or something, and He flooded the little people? I dunno.
It’s possible He even killed their first born.
I hear He has their witches stoned?
And He fathered a kid with another of the beggars
or something. I didn’t look back.

Isn’t This Worth Fighting For? ENLIST NOW

by Chris Buchanan
Poetry, 2010

We fight for Bayer Heroin,
unsubtle assassins with knives tied to rifles.
For duty.
We fight for King and Kaiser,
for homes and lovers, real or imagined,
for sweet milky Weetabix warmed in a tin
and brothers, alliances we’ve steeled between us
for good.
We fight for the Internet access
the minister promised to keep us connected,
to keep us alive and listening to Lily Allen
here, where even Geri Halliwell now fears to tread.
Sometimes we just like it. Drumbeats tied to violence.
We fight.
Circumstance, conquest, convictions,
feathers or leaders, posters or sons.
For Hannah or London
or some other capital
we care for.

Henri Rousseau’s Safari Park

by Chris Buchanan
Poetry, 2010

We visited Henri Rousseau’s safari park when the wars
were done. The place was overgrown, left
in such a hurry.

The leaves we could see in that little clearing were choking,
splattered into wet root husks and mud,
turning deep and greasy as they bent into heaps,
churning the rain into thick, dark colour.

No animals were still in sight but the really frightened ones
with the biggest teeth.

The branches were thinner there, beyond that sole glass
window that stood there, constrained to its case
but rattling in the winds,
where the ticket office had been.

The park must have been beautiful in the moment,
when the bombs were cracking the city around it,
after the gift shop and before the peace time.

When we finally arrived, it was too late.
The zookeeper had moved on, left this stark storm behind him.
Europe was safe for one more generation.
We got in our car, wiped our glasses and left.

The Wasp on the Window

by Chris Buchanan
Poetry, 2010

he beats flaps of film,
no more than shed flakes of skin to Him,
more advanced,
He who wonders at his easy flight
and brushes breadcrumbs from fat lips.

He backs away,
as if that tiny blunted point of abdomen
could wound
this other, with eyes larger than his being,
eyes in subtle, soft, insidious colours.

The bastard takes mysteries for granted, guttering
loud, slow nonsense over sputtering.
Helpless scrabbling on invisible surface,
reflective, while he watches perfect.
he waits

and watches the fuck,
legs moving like tools to prime,
mechanical
lifts to lift him away
if He tries to crush his fragile shell.

If He tries then weak venom strikes, spikes,
spills his mind and fills his pike.
he moves in faster planes, HE flies!
He cannot fly! HE can fly, HE will FLY!
HE’LL kill!

A move is made and he backs back a bit
to the strange safety of confounding surface, flits
into air
unsweetened by jam and sweat and mammal.
he escapes, transgressing transfixing panel.

Tomorrow it will play out again.
He dares to take his air
and offer His sandwich.
Tomorrow HE’LL win!
He’s more scared of him than he is of HIM.

To the good-looking girl on the train, drinking Gordon’s and singing along to Edith Piaf

by Chris Buchanan
Poetry, 2010

No? You honestly have no regrets?
No, I guess you’d have no use for them.
You look near-perfect to me, well except
for maybe your singing, and even then
you do it stylishly. Everything paid
and sipped from tiny bottles, like your gin.
Yesterday’s losses loudly swept away,
your fleeting doubts banished with ‘no’ again.

I wish I felt the same about regrets.
I wish I’d stopped the trolley-bloke, just now,
and a had a drink myself, to just forget
like you with your rien. Perfect and proud.
But next time, love, I shan’t just let him go
with such a simple, sorry answer, ‘No’.