Big Red Dog

by Chris Buchanan
Poetry, 2018

It’s dog eat dog eat dog eat dog eat dog eat dog

up there and the last dog is massive,
pained with the weight of it, outstrained
and bleeding out, impassive.
Red seeping through and thickening the mane,
a Clifford of sin,
breathing breaths so deep to tear the skein,
stretch the skin.

One day blood will pour down redwood bark,
tons of it,
pour through the scratches and rain down thin

’til the ground is filth and the skies are cleansed
and the seas are filmed, filtered red
like the backs of breeching sharks
and the wings’ll be all too heavy to reascend –
unsolemn silence will smother the holes we open up –
and when no-one comes to help
no-one will cry again.

Me Manifesto

by Chris Buchanan
Poetry, 2017

Here’s a manifesto for the crowd
who’ve come to clap it –
and the rest of you can clock it
between laugh tracks and ad traps
and bulletins and sleep and shifts
in re-tweets and clips –

I’m a strong leader-

That’s basically it. I’m strong, like a bull
and full to the brim with it –
fit and trim, heavy with lustre so
big up my bluster and sing with it –
trust me –

Love me and I will love democracy –
stick with me and maybe
I’ll do something new –
lasso the moon and bring back the past –
lower your taxes too – maybe
whatever it is that you want –

You’ll see –

The Boy from the Badlands

by Chris Buchanan
Poetry, 2017

Rob McFadden, he’s a bad un –
he’s a nasty, gone-off pasty
full of sweaty brawn and internet porn.
Steer clear of his beery back streets
and his alt-right tweets.

He’s a bad lad
an his dad said he’s a mad ed.
I’ve seen him eatin cod and chips
with skeevy teeth and rotten lips.
He dun’t have salt and vinegar –
he just has crack and poppers –
and his eyes are bleedin beadier
than Roy fuckin Cropper’s.

Rub McFadden’s lamp an he’ll chew you
in his greasy gums –
do you in the slack of the black eye
and keep the good un for your mum.

Gumshield

by Chris Buchanan
Poetry, 2015

The Kingston Crab Fighter was
a real contender, they said,
but I killed him on the sand.

The beach, they said, was what he had done
to shells, cliffs, cartilage,
maybe all beaches
with his hard, constant-curved
glaze cherry red
Everlasts –

he smashed the rocks, ground them
every time he chose not
to lift the fists above the land – –
imagine, they said:
every time he let his flex down,
beneath his heels,
sand in his wake.

I saw he was all glass jaw, I called him out of the
salt-grit water, sweating from somewhere soft.
I just roped a dope and
cracked him with a clench,
took my money and went.

Brush

by Chris Buchanan
Poetry, 2015

He stood rangy, stretched,
fur lining climbing from suede sleeves –
pale, rained clean.
He tilted his long head.

I’d been with better-looking guys,
he’d been with prettier-looking voles,
but this is to certify
that what I did with him was presentable.

The badger-man dug us up a jug, no cups
and an abandoned shed
and we did enough
to get four posts up.
We drew moonshine after dark and I drank
from his hairy back.

Grubs

by Chris Buchanan
Poetry, 2015

Nob Ed.
He’s a grubby little bastard
and he lets the grubs out, dun E?
He wouldn’t keep the blood flow out
of his grubby little tuber spout if he could, wood E?

He likes to pitch a big top
tent and in his white make-up tin-pot head
it’s meant as a compliment. Ignorant
wanker is what E is innit? Wham bam thank you mammy
when his clammy little mussel’s slid its way down your neck
and you’re sleepin with the fishies swimmin in your keks,
hung out to dry like his shrivelled little swiveller,
grubby little fuckwit in E?
Not like me.

He let his little chicken-bobbing, apple-handed,
izzy-wizzy-let’s-get-jizzy, smutty, silly putty
bouncing turkey baster masturbater out din E?

Like that bluebottle you swatted but it didn’t go flat
on the window, did it?
And its abdomen cracked and a million grubs came out
and it was beggin to be burst.

Dracula’s Really Dead

by Chris Buchanan
Poetry, 2015

Dracula’s really dead this time
and he’s not coming back when
you bleed on his bones. He’s still
in his tomb this time, still as they
go and when the wind moans
on the mountainside no-one cares
but you and no-one’s behind you,
no-one’s there with a big
bloody
smile for you.
No-one knows that you got scared.

Dracula’s neat black suit is slung-up
and will never be steam-pressed again.
You can put it on and cry on the sleeves.
This time tomorrow you’ll be still
there by the window, still in a frame,
hunched in an arch, eyes red, rolled
back, scrunched-up deep in lid skin,
wishing on a certain
star
and thinking of him
and how he used to watch you sleep.

DRACULA (1958)